One great thing about this topic is that it is a timeless one! (Bear in mind also if you're writing non-fiction, if you are using a narrative voice, you can treat that voice as a character, so some of these questions at least may also be worth trying). So what to ask then as part of your outline?

1. What do you really want and why?
   
2. What stops you getting what you really want?
   
3. Why would your life be complete if you achieve what you want?
   
4. How are you going to achieve your objectives?
   
5. Have you got other characters to support you and, if so, how reliable are they?
   
6. Are you making your life unnecessarily complicated? (Worth asking this one - any complications getting in the way of your character achieving what they want should be those that arise naturally out of the plot. There should be nothing that seems "faked" to increase the tension in the story. The tension should be genuine, the obstacles real and so on. For a non-fictional narrator, a good question to ask instead of this one is are you communicating as clearly as possible (i.e. go for clarity, not gobbledegook, don't make your narration unnecessarily complicated? Are you conveying the facts reasonably? Are you backing the facts up with evidence? What are your sources?).
   
7. What has driven you to decide this is what you really want?
   
8. What if you're wrong? (How would your character handle that? That could make for a really interesting story).
   
9. Are there limits you won't cross (and if so what are these? What is your thinking behind this?).
   
10. Are there rules you are prepared to break? What would the consequences be? How are you going to limit your risk (or are you not worried about that? Some characters aren't!).
    

Now if answering those questions doesn't generate story ideas, I'd be very surprised!

Image Credit:  Pixabay

I was listening to UK based radio station Classic FM earlier this week when it was reported a well known composer still suffered nerves when coming up with a new composition. They were still made nervous by the blank page, despite their many years of successful composition. Ironically, this cheered me up somewhat. It's the same for any creator and I know it's true for me. That touch of nerves before you start writing is the worst bit. Once you get going, you're absolutely okay.

I've learned over time to just get the words down any old how. Editing and polishing happen much later. Nobody writes a perfect draft. Shakespeare didn't. Austen didn't. Dickens didn't. I'm certainly not going to but that's fine! So how can you get over the nervous start bit or, at least, make it not so bad and easier to handle?

I've found having a range of ways to get started on stories or blog posts helpful. I also find having brainstorming sessions every so often useful to jot down ideas and when I am struggling, I can turn to these and find something to inspire me there. My range of ways to get started include:-

1.  Using a random word generator, pick three, and put them into a story. Using random words like this makes me think deeper and if there is no obvious link between the three words, even better. It makes me think again!

2.  Look back over my old blog posts and stories. Often there will a link there I didn't follow up at the time but might prove useful now.

3.  Take a well known saying and use it as a theme or title (sometimes both) for a story or article.

4.  Use a spider diagram or flowchart to flesh out basic ideas. That will soon show if ideas in the back of my head do have some "legs" to them or not. Naturally I go with the ones that do! This is especially useful when used in conjunction with a random word generator.

5.  Look up writing competitions. Sometimes I'll enter said competitions. Sometimes I'll just write up a story to the theme and not submit it deliberately. I will go back to that story at a later date to polish it up further knowing it is not ready for a competition yet but I can still write to the theme. Who knows? The story might end up in an anthology later. Themes come up reasonably often so there will be other competitions the story the might fit.

However you get over the blank page nerves, happy writing and good luck!

Image Credit:  Pixabay

Linking in with my CFT post this week, I thought I'd look at this topic from the viewpoint of our characters and how we create them. So do you have favourite characters of your own making and, if so, should you?

I must admit I can't see how any writer can avoid having favourites amongst their characters. There are bound to be creations we prefer over others, simply for things such as we like Character A's sense of irony, which Character B, noble as they are, simply doesn't have. What DOES matter is that we are scrupulous about how we create our characters.

By this I mean when planning out characters, we should ensure each and every one of them has flaws and virtues. Each and every one of them must have good reasons for acting the way they are. Each and every one of them should feel real to a reader. No cardboard cut-outs here!

You, as the writer, have got to know what makes them all tick. You need to know what drives them, what would frustrate them, what would tempt them away from the path they're supposed to be on, and how they handle weakness in themselves, yet alone in others.

A good sign of a "proper" favourite character is knowing you've created a character that for many reasons you dislike (e.g. you disagree with their attitudes) but have brought them to life in such a way your reader will be intrigued by them and there will be no sign of your antipathy towards them either. Good luck!

Image Credit:  As ever, the images are from the marvellous Pixabay. Captions over on the CFT post.